Which Sentence Might Be Part Of An Interior Monologue

Which sentence might be part of an interior monologue? Hey, you, George. How does it feel to be – Brainly.com

Take a look at the sentence. Benjamin’s kindness and optimism remain unwavering, even as a sequence of unfortunate circumstances conspire to derail his ambitions. What is the most effective method to modify t.his sentence such that the right subject-verb agreement is used? O Benjamin’s kindness and optimism remain unwavering, even as a sequence of unfortunate circumstances conspire to derail his objectives. a No matter what happens, O Benjamin’s kindness and optimism never waver, even as a sequence of circumstances conspire to derail his ambitions.

O maintain the status quo Write a synopsis of Sweet Clara and the Freedom Quilt for your class.

The importance of putting the audience first means that public speakers should do the following: I’m looking for assistance since I’m trying to write a novel similar to Paris but set entirely in Belgium.


  1. enter.tained- mocked 3.
  2. failed to live-died_ 5.
  3. I already know the solution to this question.
  4. I already know the answer 8.
  5. weeping and crying_ 10.
  6. tiredness and strength twelve.
  7. 13.

springing- the predominating factor_ 15.

fold-over and collapse 18.

I already know the answer 20.

It is recommended that every middle school English class include a unit in which students perform a play,.

Although it is true that not all pupils feel comfortable performing onstage, numerous backstage positions would be available as a result of this.

Despite the fact that For example, furthermore B.


As a result: First and foremost: finally What is it about the weather in New England that Steinbeck finds so appealing?

Is there any influence on the reader from the meter in the story “”the charge of the light brigade”?” .

Please explain what you mean.

Acupuncture needles are solid and can be as thin as a human hair in some instances.

B. Acupuncture needles are thinner than hypodermic needles, resulting in less pain for the patient. C. Getting injections or being poked with needles is something that most people dislike. D. Hypodermic needles are thick in order to allow fluids to pass through them easily.

Which sentence might be part of an interior monologue? will you clean up the kitchen after you are done with the garage? why, howard, i thought you and i were going together to the movie. how long have i been moving in this jungle without seeing any signs of hope? i am sorry, jess, but i don’t think i can keep the promise i made to you.

Read the following passage: sari couldn’t believe her bad luck. she had locked her keys in the car. to add fuel to the fire, her cell phone was in the locked car, and she was late for a very important meeting. she knocked on her neighbor’s door so that she could ask to use his phone, but he was not not home. what was she to do? what role does the idiom in the passage serve? a. it shows that sari has incredibly bad luck when it comes to work. b. it shows that sari’s neighbor was not home either.

  • it shows that sari locked her keys in the car.
  • it shows that sari’s situation was worse than it seemed at first.
  • have you ever experienced a time when you couldn’t really describe something you saw in a way that others could understand?
  • new insights into human memory suggest human memories are really a mixture of many non-factual things.
  • imagine your room at home or a classroom you see every day.
  • you could name the color of the walls, the floors, the decorations.
  • memory tends to save a blurry image of what we have seen rather than specific details.

there are lots of different kinds of “tall.” second, memory uses general knowledge to fill in gaps.

to do this, our brains use other memories and other stories when there are gaps.

later, when telling a friend about the event, your brain may remember a familiar librarian behind the desk rather than the actual participant simply because it is recreating a familiar scene.

third, your memory changes over time.

documented cases have shown eyewitnesses adding detail to testimony that could not have been known at the time of the event.

you may have noticed this yourself.

you may also notice that you drop certain details from previous tellings of the story.

did you really break your mother’s favorite vase when you were three?

the human brain may be quite remarkable indeed.

part a and part b below contain one fill-in-the-blank to be used for all three question responses.

part a:which of the following best explains why memories from childhood are unreliable?

our brains add details and general knowledge to childhood memories.

our brains create new stories to make the past more interesting.

add your selection to blank 1 using e, f, or g.

when a witness tries to identify someone, her brain may recall that the person was tall, but not be able to say how tall.

select one quotation from the text that supports your answer to part a.

documented cases have shown eyewitnesses adding detail to testimony that could not have been known at the time of the event.

when it comes to memory, however, we may want to start carrying video cameras if we want to record the true picture answer for blank 1: Answers: 2Who is the speaker?

quotation analysis “those who labor in the earth are the chosen people of ” what is the main idea of the quotation?

what evidence from the background reading leads you to the conclusion about the speaker?

“all communities divide themselves into the few and the many.

they divided the people in between rich and poor who do you think is the speaker?

federalists believed that the country should be ruled by the by the best people 3.

who do you think is the speaker?


who do you think is the speaker? what evidence from the background reading leads you to the conclusion about the speaker? Answers: 1You know the right answer? Which sentence might be part of an interior monologue? will youclean up the kitchen a.

Questions in other subjects:

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What Is an Interior Monologue?

An inner monologue is the expression of a character’s thoughts, feelings, and perceptions in a story, and it may occur in both fiction and nonfiction settings. An inner monologue can take either a direct or indirect approach, ranging from a handbook to literature:

  • Direct:The author appears to be absent, and the internal self of the character is revealed directly to the reader, as if the reader were listening in on an articulation of the stream of thought and sensation that is passing through the character’s mind
  • (Harmon and Holman 2006) Indirect: The author performs the functions of a selector, presenter, guide, and commentator.

Interior monologues, whether from the author or from a character, can serve to fill in the gaps in a piece of writing and give the reader with a clearer image of what is being written. Interior monologues are frequently integrated easily into a piece of literature and help to retain the overall style and tone of the article. Other times, they stray from the path. Continue reading for some great instances of this amazing literary method.

Where Interior Monologues Are Found

Interior monologues may be found in every form of literature, as previously indicated. These sections of text, which appear in both fiction and nonfiction, serve to explain an author’s views and give context. These, on the other hand, might appear considerably different depending on the genre.


Interior monologue has long been a popular stylistic option among fiction authors, and it has remained so over the years. When taken out of context, these extracts appear to be ordinary—but when placed within a book, they are brief instances in which an author deliberately deviates from the norm.

  • I went into the reception area and glanced about. It was completely devoid of anything save the odor of dust. I threw open another window, opened the connecting door, and walked into the room behind it to continue my investigation. The room was furnished with three hard chairs and a swivel chair, an open desk with a glass top, five green filing cases, three of which were empty except for the calendar and framed license bond on the wall, a phone, a washbowl in a stained wood cupboard, a hatrack, a carpet that was nothing more than something on the floor, and two open windows with net curtains that puckered in and out like the lips of a toothless old man sleeping “It was the same stuff I’d had the year before and the year before that as well. Although neither attractive or gay, it is preferable to a tent on the beach.” Chandler (c. 1942) “It is amazing how much better silence, a coffee cup, and a table can be. And how much more pleasant it is for me to be alone, like the single seabird that raises its wings on the stake. Allow me to sit here for the rest of my life with nothing but the simplest necessities: this coffee cup, this knife, this fork, objects in and of themselves, and me being myself. Please do not come in and cause me concern with your indications that it is time to close the store and go. I would gladly give you all of my money if you would please refrain from disturbing me and instead allow me to sit on and on, silent and alone “Woolf (1931) defined formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formalized formal
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Tom Wolfe, the author, became well-known for his use of internal monologue. See what William Noble, author of “Writing Nonfiction—Using Fiction,” has to say about this in the section below. “When writing nonfiction, interior monologue is permissible, as long as there is evidence to support it. Our inability to enter a character’s thoughts is due to the fact that we assume, speculate, or surmise that this is what he or she would be thinking. We have to find out! See how Tom Wolfe accomplishes it in his book on the space program, The Right Stuff, to get an idea of how he does it.

Even though he was writing nonfiction, he wanted to get inside the thoughts of his characters.

During their conversation, the astronauts appear to be glancing at one another and raising their hands in the air.

He continues for a whole page, and in writing in this manner, Wolfe has surpassed the traditional factual approach; he has provided characterisation and motive, two fiction writing strategies that may help the reader feel as if they are walking alongside the writer.

It is possible to’see inside’ the brains of characters through interior monologue, and we know that the more familiar a reader is with a particular character, the more the reader embraces that character ” (Noble 2007).

Stylistic Characteristics of Interior Monologue

When an author decides to use inner monologue, they have a plethora of grammatical and stylistic options at their disposal. Professor Monika Fludernik outlines a few of these in the next section. “A sentence fragment may be understood as an inward monologue (direct speech), or it may be considered a component of an adjacent stretch of free-form indirect speech. Interior monologue may also contain signs of nonverbal cognition in addition to vocal thought. In contrast, more formal internal monologue makes use of the first-person pronoun andfinite verbs in the present tense, as follows: Helifted his feet up from the suction and was forced back by a mole of pebbles on the other side.

  • My spirit goes behind me in a variety of shapes.
  • I can see it whizzing by from where I am (Ulyssesiii; Joyce 1993: 37; my emphasis).
  • To do this, he avoids using whole sentences with finite verbs in favor of fragmentary, frequently verbless syntagmas that replicate Bloom’s mental jumps as he connects ideas: Hymes is scribbling something down in his notepad right now.
  • But he is familiar with all of them.
  • What is the name of your Christian denomination?
  • Bloom’s perceptions and guesses are verified by Hyne’s statements in this situation.

Stream of Consciousness and Interior Monologue

Don’t get confused between writing a stream of consciousness and creating an inward monologue in your journal. These devices are similar, and often even connected, yet they are unique from one another. Ross Murfin and Supryia Ray, writers of The Bedford Glossary of Critical and Literary Terms, provide the following explanation to make things a little clearer: “Despite the fact that the terms “stream of consciousness” and “internal monologue” are sometimes used interchangeably, the former is the more comprehensive word.

As a result, it allows the reader to experience the thoughts, feelings, and transient experiences of a character.


  • Raymond Chandler is credited with inventing the term “cybernetics.” The High Window is the most prominent feature of the room. Monika Fludernik, Monika Fludernik, Alfred A. Knopf, 1942
  • Alfred A. Knopf, 1942. An Introduction to the Study of Narratology Harmon, William, and Hugh Holman (Routledge, 2009)
  • Harmon, William, and Hugh Holman A Guide to Literary Criticism. The tenth edition Prentice-Hall Publishing Company, 2006
  • Murfin, Ross, and Supryia M. Ray are co-authors of this work. The Bedford Glossary of Critical and Literary Terms is a comprehensive reference work on literary and critical terminology. Noble, William, 2nd edition, Bedford/St. Martin’s, 2003
  • Bedford/St. Martin’s, 2003. “How to Write Nonfiction While Using Fiction.” The Second Edition of The Portable Writer’s Conference Quill Driver is a 2007 film directed by Virginia Woolf. The Ocean Waves. The Hogarth Press published in 1931.

Which sentence might be part of an interior monologue? how can someone steal your car from your garage? how could i let myself fall for the same trick twice? mr. myers couldn’t just push his car all the way to the garage. timmy and carlie, though young, were not easily fooled.

Raymond Chandler is credited with inventing the term “cybernetics” in the 1960s. “The High Window,” as the name suggests. Monika Fludernik, Monika Fludernik, Alfred A. Knopf, 1942. Narratology: A Beginner’s Guide. Harmon, William, and Hugh Holman (Routledge, 2009); Harmon, William A Guide to Literary Forms. edition, number ten (tenth edition) In 2006, Prentice-Hall published the book. The authors, Ross Murfin and Supryia M. Ray, published a paper in which they say Dictionary of Critical and Literary Terms, published by the Bedford Institute of Literary and Critical Studies in Bedford, England.

Martin’s, 2003.

2007; Virginia Woolf is the author of Quill Driver (Quill Driver, 2007). A wave is a group of water. In 1931, Hogarth Press published a book entitled


The second question is, “How could I allow myself to be duped by the same technique twice?” That expression refers to a person talking to oneself, which is referred to as an internal monologue in English.

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Inner Monologue Examples: Characters’ Hidden Lives

Internal monologue, often known as inner monologue, is a literary method that may be quite effective. Character interactions are shown via dialogue, as are their converging or competing aims. Inner monologue allows readers to experience more personal sentiments and challenges. More information on how to use inner monologue efficiently may be found at:

First, what is ‘inner monologue’?

Taking the term “monologue” back to its origins, it literally means “single-handedly speaking”. In a play, and particularly in Shakespeare’s plays, a monologue (such as when the evil Iago inOthello exposes his wicked schemes) is frequently used to disclose a character’s private thoughts or intentions. Examples include the villain Iago inOthello and the protagonist Othello. A character’s innermost perceptions, wants, frustrations, and challenges are frequently revealed via an inner monologue in prose fiction.

How to use inner monologue in stories:

  1. Inner monologue can be used to expose unsaid thoughts
  2. Describe people from a certain point of view
  3. Demonstrate private issues
  4. Show one’s own perspective and thinking
  5. Demonstrate personal linkages

Consider the following suggestions for writing inner monologue in greater depth:

1. Use inner monologue to reveal unspoken thoughts

In narration, it is common for the protagonist-narrator to simply explain how they are feeling. Consider the following sentence: ‘I felt nervous as I approached the abandoned structure. Alternatively, if you’re writing in third person restricted point of view, you may say: ‘Luisa felt nervous as she neared the building.’ These phrases are perfectly acceptable. The intimacy of the situation can be enhanced further by having characters’ true thoughts intrude on the action. As an illustration, consider this passage from David Mitchell’s Cloud Atlas.

Her employer is yelling at her for missing a meeting:Grelsch gives her a cold, hard stare.

‘I dialed the number for the precinct where Sixsmith’s case was being handled.’ Cloud Atlas is a novel by David Mitchell (2004).

  • The authority Grelsch wields over Luisa as his employee – this demonstrates Luisa’s understanding of the power dynamic at play in this conversation
  • Luisa’s proclivity for inventing lies to get herself out of trouble
  • And Luisa’s ability to manipulate others to her advantage.

By showing Luisa’s unsaid thoughts in the middle of a discussion, the inner monologue here contributes to her character while also depicting her connection with her boss.

2: Describe others from a specific POV

Your protagonist can describe other characters simply in narration when they are the first-person narrator in your novel. Consider the following scenario: your character comes across a frail-looking individual and narrates, ‘he looked like he had a week left to live.’ In third-person restricted narratives, a brief internal monologue may be a valuable filtering method for sliding inside a character’s private thoughts and expressing their views of their surroundings. Consider the following example, which comes from Cloud Atlas: The elevator doors close just as Luisa Rey approaches them, but the invisible inhabitant seals them shut with his cane before they can close completely.

‘Thank goodness the age of chivalry hasn’t passed away completely.’ He acknowledges her with a solemn inclination of his head.

What is it about this internal monologue that is so effective?

Second, it quickly and simply provides a crucial aspect about the other character’s physical characteristics. Utilize italics in this manner to take us further into a character’s thoughts. In the moment, they should share their impressions, questions, and associations.

3: Show private dilemmas

Characters’ private issues and internal struggles can be shown through their inner monologue, which is quite effective. Crime and Punishment, by Fyodor Dostoevsky, is replete with instructive instances. Throughout the work, we are privy to Raskolnikov’s apprehensive and paranoid state of mind, which is described in detail. After murdering a pawnbroker towards the beginning of the novel, Raskolnikov is preparing to flee the scene in which this event takes place. Take note of how, despite the fact that the section is written in third person, the phrasing, which captures transitory thoughts, gives the feeling that we are inside Rodion’s head: Then, at the same time, numerous men, all chatting loudly and quickly, began noisily ascending the staircase.

Whether they stopped him or let him pass, all was gone; they would remember him; they were just a flight from him; and then, all of a sudden, deliverance!

Crime and Punishment in the Works of Fyodor Dostoevsky (1866).

This gives the scenario a sense of urgency and intensity (a sense of engaging involvement in the action).

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4: Reveal self-perception and mentality

The usage of inner monologue in a tale can be utilized to portray a character’s inner monologue as well as their preoccupations. For example, in a novel where a character’s major or secondary problem is coming to terms with their physical appearance, there may be a scene in which they are staring in the mirror and thinking: He shifted his weight and stood at an angle, sucking on his stomach. I don’t know how I ended myself in this situation. Consider the following scenario involving a character preparing for a job interview: He drew his chin up, tightening the knot in his tie just a little bit further.

He made a wink.

He made a serious expression on his face.

No way!

5: Show personal associations

Inner monologue may be used to demonstrate the personal associations that people have. Take, for example, this section from Virginia Woolf’s work To the Lighthouse, which has an interior monologue: But what exactly have I accomplished with my life? Mrs. Ramsay thought to herself as she took her position at the head of the table and looked around at all the plates with white circles on them. ‘William, please come sit next me,’ she begged. ‘Lily,’ she whispered, a sigh coming over her shoulder.

She sat silently, waiting for someone to respond, hoping that something would happen in the meantime.

To the Lighthouse, a novel by Virginia Woolf (1927).

Ramsay’s inner monologue argues that household life is associated with a sense of scarcity (‘she, just this — an impossibly long table’). It is successful because it allows us to comprehend Ramsay’s aspirations and frustrations through his internal monologue. Take note, as well, of how Woolf:

  • Inner monologue is interspersed with speech and detailed description in this piece: We can see the ‘white circles’ created by the dishes, as well as the individuals seated around the table. Internal monologue is anchored in three-dimensional activity by the following: After she takes her seat at the head of the table and serves everyone, we get a glimpse into Ramsay’s thinking.

The ability to write compelling internal monologue will assist you in giving your characters depth and intrigue. When you become a Now Novel member, you will receive the book ‘How to Write Real Characters: Creating Your Story’, which contains character-writing exercises, advice, and checklists, as well as special video content.

Losing My Internal Monologue — North Country Center for Independence

Allison Jonergin contributed to this article. The fact that some people do not have an internal monologue has recently created quite a stir on the internet. The result is that they are unable to hear their own ideas being spoken loudly within their brains, as is the case for many of us. A typical emotion people have expressed is that they would be completely bewildered if they were unable to hear their own ideas expressed in audible language. I would’ve said the same thing if you had asked me.

  • I thought I’d gotten away with only a little neck and back discomfort.
  • In addition to having distorted vision and ringing in my ears, I was having trouble with memory and focus.
  • I was fatigued, and no amount of sleep could make me feel better.
  • I was unhappy, irritated, worried, and overall more emotional than I had been.
  • My internal monologue was one of the most upsetting symptoms I encountered, and it was one of the most difficult to deal with.
  • I did everything I could to think aloud, but nothing came to mind.
  • My thoughts were largely made up of sentiments, which was unusual.

It seemed like I was continuously playing a losing game of catch up since everything was moving so rapidly.

I have a tendency to zone out without even realizing it.

I was feeling overstimulated and overloaded at the time.

My incapacity to keep myself entertained was the source of the most of my suffering.

I couldn’t push myself to think in order to occupy my mind or to divert myself from my thoughts.

When it came to reading, it was the same.

In order to read even a single sentence, it would require multiple attempts.

It was these early ideas that kept me from sleeping, and I would find myself repeating words like “corner” over and over again if there was a cobweb in one of the corners of the ceiling.

However, I’d lose track of where I was in the phrase before I reached the finish.

When I was speaking, my mind was frequently not even conscious of what I was saying at the moment.

However, while I am grateful that I was able to reestablish my own inner voice, they were the saddest (and most silent) days of my life.

Allison Jonergin is a SUNY Plattsburgh alumnus and a resident of the North Country.

She is afflicted with a number of chronic ailments, including fibromyalgia, chronic fatigue syndrome/myalgia nervosa, endometriosis, irritable bowel syndrome, and degenerative disc disease. She also suffers from post-concussion syndrome, anxiety, despair, and post-traumatic stress disorder (PTSD).

What’s the difference between a soliloquy and a monologue?

Soliloquies and monologues have one thing in common: they are both performances in which a single speaker takes the stage. The distinction between the two has nothing to do with who is speaking but rather with who is paying attention. A monologue — derived from the Greek words monos (meaning “single”) andlegein (meaning “to speak”) — is a speech delivered to an audience by a single individual. In Shakespeare’sJulius Caesar, Marc Antony addresses the citizens of Rome with a well-known monologue that has become legendary.

  • In the same way that the evil that men do survives after them, the good that they accomplish is frequently interred with their bones, so let it be with Caesar!
  • A soliloquy, on the other hand — derived from the Latin solus (which means “alone”) and loqui (which means “to speak”) — is a speech delivered to oneself.
  • A soliloquy from Shakespeare’s play Hamlet, Act III, Scene 1, is the most well-known in the English language: That is the question: whether to be or not to be?
  • (etc.)

Monologue: Definition and Examples

It is common for one character to provide a monologue in a tale. It is the vocalization of a character’s ideas in theater; it is the verbalization of a character’s thoughts in writing. It has traditionally been utilized in theater (for example, a speech to be delivered on stage), but it is now being used in cinema and television as well.

II. Example of a Monologue

A monologue is a speech directed to people rather than with them. Many plays and shows that feature live performers begin with a single character delivering a monologue to the audience before the story and action begin to unfold. Imagine being the ringleader of a circus, for example.

Example 1

Ladies and gentlemen, young men and young women! As you see some of the greatest performances ever performed in the ring, your faces will be beaming with delight! Beauty and creatures, giants and mankind, dancers and daredevils abound in this fantasy world. Will put on a show right in front of your eyes A collection of the most daring and spectacular feats you’ve ever seen! Keep an eye on things right now. As they confront fire and water, depths and heights, danger and terror, they learn to trust their instincts.

The ringleader’s speech is addressed to the whole audience of the show. His speech assists him in building anticipation and enthusiasm in his audience while also foreshadowing some of the surprises that would be contained inside the performance.

Example 2

In a play, show, or movie, a monologue does not necessarily have to occur at the beginning and conclusion; rather, they might occur at any point during the performance. Consider a television show about a group of young friends, in which one of the friends has been bullying the other friends on this particular episode. When one of the girls interrupts the group’s jokes about some of the atrocities the bully has done to other students at school, the group laughs. You should know that I do not find what you are doing amusing.

If you think you’re awesome because you developed more quickly than certain individuals, and you can now beat them up, think again.

We’re all here pretending that you’re a leader, but I’m well aware that you’re nothing more than a ruthless bully.

When a discussion comes to a halt and the audience’s attention is drawn to a single character’s speaking, this is typically referred to as a monologue.

III. Types of Monologues

Speaking aloud to oneself, as if no one else is listening, a character might speak his or her innermost thoughts. Essentially, a soliloquy is a recording of a character talking to himself out loud for a long period of time. Of course, the audience (and perhaps other characters) can hear the speech, but the person giving the speech is completely ignorant that anybody else is listening in. For example, in comedy, it is common for a character to be shown giving themselves a lengthy, inspiring speech in the mirror.while a buddy is covertly watching and laughing at them.

B. Dramatic Monologue

A speech that is addressed directly to the audience or to another character in a play or movie. However, it is virtually always substantial in terms of both duration and intent, whether it is official or informal, humorous or serious in nature. Consider the following example: a scene depicting a president’s speech to a crowd has a dramatic monologue that is both lengthy and crucial to the narrative of the story. All speeches delivered by a single character, whether to an audience, to himself or herself, or even only to one other character, are considered dramatic monologues in television, theater, and film.

C. Internal Monologue

An individual’s ideas are expressed so that the audience may see (or read, in the case of literature) what is going on inside that character’s head. It is sometimes referred to as “stream-of-consciousness” writing (depending on the style). Internal monologues may frequently be distinguished in a work of literature by the use of italicized blocks of text that express a character’s innermost thoughts and feelings.

Internal monologues are typically stated in the character’s voice on television and in films, but the audience does not actually hear him speak, creating the impression that the audience is listening in on his thoughts.

IV. Importance of Monologues

It is possible to gain insight into what a specific character is thinking through the use of speech or the vocalization of their ideas in a monologue, which is accessible to the audience and other characters. A speech serves an obvious function, but the latter is particularly valuable for characterization since it aids the listener in building an understanding about what a character is truly thinking, which in turn helps (or can later help) explain their prior (or potential future) acts and behavior.

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V. Examples of Monologue in Literature

The best examples of monologues in literature are found in dramatic literature, most notably in Shakespeare’s plays. Because monologues are primarily performed on stage (or screen), the best examples can be found in dramatic literature. Below is a selection of what is arguably the most famous monologue in literature—specifically, the soliloquy—from Shakespeare’s tragedyHamlet’s Act III Scene I. Beginning with the well-known words “To be, or not to be- that is the question:” this soliloquy explores the dilemma of being or not being.

  • This is the question: Is suffering in the mind more noble than being?
  • To die-to-sleep-No more; and by a sleep, we can say that we have put an end to the heartache, and the thousand natural shocks, that flesh is liable to suffer from.
  • To die is to fall asleep.
  • For who knows what dreams may come to you when you are sleeping in the grave.
  • There’s the respect that allows catastrophe to last for such a long time.
  • In his remarks, he expresses an interior thinking process that we would not typically be able to see.
  • He employs a soliloquy to convey Hamlet’s erratic state of mind and disquieting thoughts to the audience.


This is how the narrator of Mark Twain’s short story, “The Celebrated Jumping Frog of Calaveras County,” describes his mission: find a guy called Simon Wheeler who would tell him a tale. Following the introduction of the concept, the narrator adds that he allowed Wheeler to “continue in his own manner, and never interrupted him once.” Following that, he tells Wheeler’s narrative in Wheeler’s voice, which he does by a change in the tone of his voice during the story. The following is a brief excerpt from the story: When I first arrived at the camp in the winter of 1949—or perhaps it was the spring of 1950—I don’t recall exactly when he arrived, though the fact that the big flume wasn’t finished at the time makes me believe it was one or the other; but in any case, he was the most curious man you ever saw, always betting on anything that turned up if he could get anybody to bet on the other side; and if he couldn’t, he’d switch sides.

He was content in whatever manner that the other guy suited him—in any way, as long as he had won the bet, he was content.

When it came to storytelling, Mark Twain was a literary genius; he had the ability to transform the page into a stage with the way he employed spelling and syntax to bring a character’s accent and personality to life via his writing.

When he uses this dramatic style in this short story, the readers are given the impression that they are listening to Wheeler’s account from the first-person perspective.

VI. Examples of Monologue in Pop Culture

Frequently, a dialogue between characters takes place before the focus turns to one of the characters delivering a big speech. This is a common technique for incorporating a monologue into a scene. The following is a scene from Season 5 Episode 10 of the television horror series The Walking Dead, in which the group is gathered around a campfire: According to Rick, every morning when he woke up, he reminded himself, “Rest in peace; now get up and go to fight.” “Even though he pretended to be dead for several years, he managed to escape.” That, I believe, is the key to success.

I’m confident that no matter what we discover in Washington, we’ll be fine.

Rick Grimes is a fictional character created by author Rick Grimes.

Now he is the only one speaking to the gathering, and he is doing it in a theatrical monologue.

Example 2

One of the most popular Christmas movies of all time, A Christmas Story, features a protagonist who also serves as the narrator, Ralphie. The narrator, on the other hand, is internal: Ralphie isn’t speaking directly to us, but he is willingly sharing his ideas with us in his own words. A Christmas Story | TBSA Soap | TBSA In this clip, you’ve heard Ralphie’s voice as an adult man, which is why the narration style in this video is unique—adult Ralphie is both reflecting on the past and reenacting present-ideas, Ralphie’s as you’ve heard.

VIII. Related Terms

When a character quickly pauses to address the audience directly, but no other characters are aware of it, this is known as an anaside. It is extremely similar to a monologue; however, the fundamental distinction between the two is that anasides are very short; they can be as little as one word or as long as a couple of phrases, but they are always brief, whereas monologues are of considerable duration. Another important point is that an aside is always stated directly to the viewer, which is frequently achieved (in cinema and television) by looking straight into the camera.


When one character speaks in a monologue (“mono” = single), an adialogue is a discourse that takes place between two or more characters (i.e., a conversation between two or more characters). Monologues and dialogues are similar in that they both communicate with the audience via the use of words. For example, in a movie, a race winner’s statement is referred to as a monologue; whereas, a speech delivered by multiple members of a team is referred to as dialogue.

Both strategies may be used to address an audience, but the distinction resides in the number of persons who are speaking at the same time.


As a conclusion, monologues (as well as dialogues) are unquestionably the most basic elements of both onstage theatre and dramatic writing today. Monologues are vital to the survival of silent cinema and theater because they are the only means for the audience to observe a character’s inner thoughts.

Definition of MONOLOGUE

A monologue|mä-n-lg,-lg variants: or, less usually, a monologb: a dramatic sketch performed by a single actor an act performed by a stand-up comedian Especially amusing was the comedian’s speech on his family. 2:a literary writing in the form of a soliloquy; Her poems were monologues about love that went unfulfilled. 3: a lengthy speech that monopolizes the discourse The woman went on with her monologue on her holiday memories, which I tried to suppress.

Other Words frommonologue

A monologuist is someone who only speaks in monologues. A monologuist is someone who only speaks in monologues. The term “ormonologist” refers to a person who studies ormonology. The term “ormonologist” comes from the word “mä- nä- lgist,” which means “ormonologist’s mind.”


The terms soliloquy and monologue are used to refer to fairly similar things, however there are some significant distinctions between the two terms. At its most basic level, soliloquy (from the Latin solus “alone” and loqui “to speak”) refers to the act of talking to oneself, and more particularly, it refers to the single speaking of an actor in a dramatic performance. When it comes to formal or literary statements, such as Hamlet’s soliloquies, it is most commonly utilized. A monologue (from the Greek words monos, which means “alone,” andlegein, which means “to speak”) is a theatrical scene in which an actor soliloquizes, but it may also apply to a variety of other things.

If you’re bored, it means you’re listening to a long speech delivered by someone who has much too much to say.

Examples ofmonologuein a Sentence

The speech of the main character sets the tone for the rest of the play. The comedian is well-known for his monologue in which he talks about winning the lotto. Her monologue on how she is going to become a big star made me want to snooze, but I restrained myself. More information may be found here. Several recent examples may be found on the internet. At one point, Kirsten-as-Hamlet recites a monologue on mourning, while her eight-year-old self is depicted realizing that her parents had passed away.

Perhaps the most memorable instance was during a video conference call this summer, during which Vishal Garg, the company’s chief executive, launched into an expletive-laden diatribe about crushing the competition, causing Mr.

—New York Times, Monday, January 8, 2022 A moral conversation with Kira in an attempt to defend his homicidal crimes, the latter keeps the former hostage while doing his villainmonologuething.

The best way to deal with racing thoughts Do you have an internal monologue that you listen to all of the time?

Miranda exits the table with a flourish, delivering an inane monologue from one of Arthur’s flicks and accidentally knocks over a glass of wine.—Cynthia Littleton, Variety, 18 December 2021 Vulture published an article by Amanda Whiting on December 17, 2021, describing how that monologue kicked off a night in which the show poked fun at pop culture and current affairs in the tradition of Saturday Night Live.

theBostonGlobe.com, October 24, 2021 However, Bryan’s trite jokes and forgettable speech pale in comparison to the years spent working with co-hosts Brad Paisley and Carrie Underwood, who honed their comic timing to an art form.

Following are some sample sentences that were automatically generated by extracting relevant parts of speech from various online news sources to reflect contemporary usage of the word “monologue.” It is not the opinion of Merriam-Webster or its editors that the viewpoints stated in the examples are correct.

Please provide comments. More information may be found here.

First Known Use ofmonologue

1549, in the sense stated atsense 1a, is a number.

History and Etymology formonologue

fifteen hundred ninety-nine dollars, in the sense specified atsense 1a

Learn More Aboutmonologue

This entry should be cited as “Monologue.” This entry was posted in Dictionary on February 4, 2022 by Merriam-Webster.com Dictionary, Merriam-Webster, Accessed February 4, 2022. Definitions for the term “monologue”

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