How To Mix Patterns Interior Design

22 Ways to Mix Patterns and Prints in Your Home Decor

Understanding that adding multiple patterns into your design strategy might be a daunting task, we understand. We guarantee that with a little insider knowledge, you will be able to properly combine patterns in your interior design projects. The key to knowing how to do anything correctly is to first comprehend the fundamental guidelines. After that, you may decide if you want to break them or not. What is the most important thing you need to know? In general, when layering patterns, it is advisable to blend prints in a variety of styles and scales to achieve the greatest results.

The most prominent pattern in the room, which is generally a rug with a brightly colored theme, serves as the inspiration for the remainder of the design.

Accent pillows, throws, furniture, and curtains are some of the most popular things in this category.

Please do not be.

Pattern Matching Basics

  • Taylor and Taylor are two of the most talented people I’ve ever met. The fundamentals of pattern matching are demonstrated in this vibrant living room. Four distinct designs in three different sizes have been created by the California-based design business Taylor & Taylor. Each pattern is unique, yet they all have a similar feel to them. Setting the tone is the wool rug, which features huge free-flowing geometric motifs. The second largest pattern is shown on a single accent cushion, which is a repeating triangle and diamond design in blue that riffs off the rug’s color and style. Finally, two smaller patterned cushions with squiggly motifs complete the look as a finishing touch. Continuation to number 2 of 22 below

Geometric Patterns Enliven a Black and White Color Scheme

  • Jennifer Talbot is a woman who works in the fashion industry. When combined with a monochromatic color scheme, geometric patterns provide a significant amount of life and energy to a modest sitting space. Jennifer Talbot, an interior designer based in Chicago, was inspired to create this room by two enormous prints on the wall. The two chairs with the second largest pattern serve as the focal point of the nook. Wool rug with a gentle zigzag design provides a soft underfoot surface. Go down to page 3 of 22 for more information.

Vibrant Patterns Global-Inspired Patterns

  • Alida and Miller are a couple. This rule-breaking living room is filled with every color of the rainbow, creating a little bit of bohemian paradise in a small space. The facility was developed by the mother and daughter design duo behindAlida and Miller, who are located in Australia. They refer to their distinctive decorating style as “beautiful imperfections.” What is it about this mash-up of patterns that makes it work? The pale blue walls provide a sense of grounding in the area, and they work nicely with the many fabrics in bright hues. Following that, proceed to number 4 of 22

Consider Sticking to a Specific Pattern Style

  • Commune Design is a term that refers to the design of a community. Maintaining a consistent sort of pattern in a place can help to create a sense of coherence in the area. Several distinct Turkish kilim accent pillows, each with a little difference in color and design, are used to round off the Moroccan day beds in this boho-styled living room byCommune Design, located in Los Angeles, California. Continue to the fifth of twenty-two sections below.

Anchor Your Space With an Oversized Pattern Rug

  • Homepolish A common rule of thumb is that the floor should be covered with the design that is the most apparent in the room. The focal point of this beautiful tiny living room, which can be seen on Homepolish, is a rug with an enormous design. Accent pillows in a variety of forms and scale patterns provide visual interest to the room. The shibori tie-dyed cushions on the rattan chairs are some of our favorite pieces. Continue to the sixth of twenty-two sections below.

Layer Patterned Rugs

  • Jennifer Talbot is a woman who works in the fashion industry. With two distinct floor coverings, you can add interest to a neutral space. Jennifer Talbot, an interior designer based in Chicago, used a couple of carpets with two separate playful designs to create this look. Go down to number 7 of 22 in the list below.

Pair Bold Wallpaper With a Simple Rug

  • Projects of Epic Proportions An Indigenous-inspired design on the walls of this extremely fashionable black, white, and brown conference room by Mammoth Projects, located in New York City, goes nicely with an atribal-styled wool rug. Go ahead and read number eight of twenty-two below.

Patterns for Creating a Happy Hippy Vibe

  • Paige Morse is a young woman who lives in the United States. It is true that sometimes less is more, as is the case with this small, eclectic living space designed by interior designer Paige Morse, who works out of her studio in Dallas. The vibrant combination of printed textiles from throughout the world was inspired by two brightly colored cushions. They have created a snug hideaway with a cheerful hippie atmosphere by working together. 9 of 22 is the next section to read
  • Continue reading below.

Patterns Bursting With Texture and Color

  • Jennifer Talbot is a woman who works in the fashion industry. Color and texture both play an important part in this contemporary living room designed by Chicago interior designer Jennifer Talbot. The predominant pattern in this room is a vibrant, pink geometric rug that stands out against the otherwise neutral furnishings. Incorporating a slight abstract motif into the curtains creates a second layer of pattern. The accent pillows, which come in four distinct designs and a variety of scales for contrast, are the final touches. Our favorite is adorned with pink pompoms, which we think are adorable. Continue to number 10 of 22 below
  • Continue to number 11 of 22 below

How to Combine Two Bold Patterns

  • Alison Causer is a writer who lives in the United Kingdom. The most straightforward method of successfully integrating patterns is to stick to two separate and quite different designs in complementary colors. In this dining room designed by Alison Causer of New York City interior design, the colors Mandarin orange and indigo blue blend together like peanut butter and jelly like peanut butter and jelly. Imperial Trellis by Schumacher is a dramatic geometric wallpaper design that is used on the walls of the room. An area rug by Safavieh with a delicate floral pattern covers the floor in the living area and dining room. To continue reading, scroll down to number 11 of 22.

Pair Bold Floral Wallpaper With Classic Toile Fabric

  • Tali Roth is a young woman who lives in New York City. Here’s a drool-worthy environment created by interior designerTali Roth of New York City. The wallpaper on the wall features an immense flower pattern over a vivid black background. The sofa is covered in a Toile fabric in black and white that depicts a beautiful pastoral landscape. When you look at the room from above, you’ll see that the subtle gray, peach, and white pattern on the painted wood floor combines all the colors in the space. Below that, you’ll see number 12 of 22.

How to Avoid Pattern Overload

  • Haley Weidenbaum is a writer and actress. A clear white backdrop combined with vibrant splashes of color can help you avoid pattern oversaturation. A woven diamond pattern rug serves as the focal point of the living room in an open concept home designed by Los Angeles-based interior designerHaley Weidenbaum. Rustic stripes are brought to the party by a rag rug ottoman that also serves as a coffee table. Throw pillows with multicolored tassels adorn the sofa, adding a quirky touch. To continue, scroll down to page 13 of 22.

Pair Dramatic Patterns With Organic Prints

  • The interior design firm of Greene and Grey Patterns in deep, gloomy colors are enjoying a major comeback right now. One such business, Greene and Grey Interior Design, located in San Francisco, California, is a fantastic illustration of what I’m referring about. A striking geometric print is combined with an organic design in this space. A stunning chevron wallpaper is used to line the interior of the glossy hunterbookcase. A speckled cowhide rug covers the floor, adding a touch of softness to the room. Continuation to number 14 of 22 below

Patterns That Match the Colors Used in a Painting

  • Amy Fasnacht, a resident of Havenly The color choice for this living room was inspired by a giant artwork on the wall, which was created by interior designer Amy Fasnacht of Havenly. The pink and orange Turkish rug serves as the focal point of the room. The curtains, which are black and white, offer a contrasting pattern. Using a variety of accent pillows, you can tie together all of the colors used throughout the space in a knot. Continuation to number 15 of 22 below

Mixing Patterns in a Small White Space

  • Beautiful Way of Life Another example of how to combine patterns in a white area can be seen here. The rug, sofa, chair, and accent pillows in this littlespace, which was photographed by Lovely Life, are all decorated with distinct designs and textures. This aesthetic is brought together by the varied shades of green and blue used in conjunction with the large-scale painting on a saturated red background. Go ahead and continue to number 16 of 22 below

Charming Bedroom Combines Three Different Prints

  • It’s all about Pentreath and Hall. Designers have created a beautiful bedroom. Pentreath and Hall, a London-based design studio located in Bloomsbury, offers a straightforward way for blending prints. Three varied and easy designs are used throughout the modestly sized room, all of which are based on a similar shade of green. The wall is covered with a trellis wallpaper with an organic design on it. The polka dot cushion offers a dash of color and contrast to the room. The addition of a striped wool camping blanket to the bed gives a splash of color. Continuation to number 17 of 22 below

How to Avoid a Colorful Cacophony

  • Marco Ricca Studio is a design studio in Milan, Italy. Combining an abundance of multihued patterns does not have to seem like a bright cacophony, as seen by this example. What makes this vivid bedroomby New York-based interior designer Marco Ricca Studio so effective is the use of color. There are three easy things to remember: Adhering to a color scheme, utilizing only smaller images on the bed, which is the largest object in the room, and painting the walls white are all examples of how to decorate effectively. Go ahead and continue to number 18 of 22 below

This Room Combines More Than 10 Different Patterns

  • Studio McGee is a design studio based in New York City. For this calm living area, the design team at Studio McGee in Salt Lake City, Utah, used a variety of low and high contrast prints in a variety of hues. How many different designs did they employ? We have a total of eleven. Go ahead and read number 19 of 22 in the section below.

Go Big With One Pattern

  • KR Interiors is a company that specializes in interior design. In this nursery designed by KR Interiors, headquartered in Westport, Connecticut, a single pattern makes a big statement. The walls, window shade, and ottoman are all decorated with a tie-dye pattern inspired by Ikat. A personalised love print is the perfect way to break things up. Following that, continue to number 20 of 22.

Patterned Pillows Add Edge

  • Throw pillows, designed by Jennifer TalbotGraphic, may provide a pop of color to any room. A minty fresh kitchen bench is given a little edge by this sweetideaby Chicago interior designer Jennifer Talbot, who utilizes black and white accent pillows in four unique patterns to give it some edge. To continue reading, scroll down to number 21 of 22

Polka Dot Print and Greek Key Pattern

  • The area was designed by Designs by Human, a New York-based business that specializes in pop art-inspired interiors. Polka dot wallpaper adds a splash of color and playfulness to any room. A Greek key area rug adds a splash of color. The vibrant fabric on the two cushion seats brings together all of the colors in the space. Go ahead and read the whole of the 22nd paragraph below.

Patterns in Matching Shades of Blue

  • Grant K. Gibson is an American businessman and philanthropist. Dining area designed by San Francisco-based interior designerGrant K. Gibson is brightened by complementary colors of blue. The wallpaper with a leaf design gives the room an organic feel. The upholstered dining chairs provide a touch of geometry to the table
  • And

How to Mix Patterns in a Room

There is one design conundrum that many people have yet to solve: combining patterns. Using more than one pattern in a space might be frightening, but if you know the basics, it can be rather simple to do. It all boils down to how well patterns work together and compliment one another in a space.

Choosing Patterns

To begin decorating using patterns, first decide what type of style you want your space to have before you begin. Florals, for example, give a space a feminine air, whereas animal patterns give it a glamorous or eclectic feel, according to the designer. Second, consider what kinds of patterns would go best with the overall concept of your area. As a general guideline, at least three different patterns should be used in a space. For example, combine a floral print with a stripe and a polka dot print.

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A third group of designs may consist of two plaids of varying sizes and a floral motif.

Tip

The scales of the designs you’re employing should be varied. For example, pick three patterns: one huge, one medium, and one little. Alternatively, select one huge pattern and two medium patterns. In the case of three animal prints in a single room, you may not need to adjust the pattern size at all.

Choosing the Color of Patterns

Now that you have a general concept of what designs you would want to combine, the following step is to decide on the colors to use. When it comes to mixing and matching the colors of different patterns, there are a handful of distinct approaches you may use.

  1. Make use of colors that have the same hue and intensity as one another. Contrary to popular belief, you should not blend pastel and jewel-tone designs. Consider using tone-on-tone patterns to add depth, texture, and character to a neutral area while also adding a sophisticated overtone.

Placing Patterns Around a Room

When blending your designs, keep in mind a handful of important guidelines. For a sense of equilibrium, distribute patterns evenly around the space. It is possible that keeping patterns to one side of a room may make a space appear and feel imbalanced. Furthermore, it is OK to use a little moderation when combining different designs. Because the eye requires a resting space between patterns, piling too many patterns together may seem and feel chaotic. Consider including a few solids to help break up the expanses of pattern in your design.

Patterns operate best in a space where they have lots of space to breathe. Here are the most prevalent patterns you may see while decorating a room, as well as the finest furniture pieces to combine with them.

Mixing patterns and prints in interior design – a 12-step masterclass

Mixing patterns in a space is only one of the many talents you will need to learn if, like us, you have a deep-seated passion for interior design. What better choice for a masterclass than interior designer Penny Morrison and Charlotte Gaisford, both of whom are well-known for their skilled pattern pairings in interior design and who are also fabric and wallpaper designers in the United Kingdom? According to Charlotte Gaisford, a fabric and wallpaper designer, she “enjoys utilizing a lot of pattern in her room designs and does not shy away from it at all.” David Hicks, a well-known interior designer, has observed that if you are unable to combine patterns atop patterns, don’t bother.

The designer Penny Morrison believes that coming into a space and allowing it to tell you what it needs in terms of color and pattern is a good strategy.

Both of them, as well as interior designer Sophie Ashby of Studio Ashby, explain how to use patterns effectively in interior design.

Mixing patterns and prints in interior design

Follow Charlotte, Sophie, and Penny’s step-by-step tutorial to learn how to properly combine patterns and prints in a room.

1. First rule: there are no rules

(Photo courtesy of Studio Ashby.) The interior designer Sophie Ashby says she enjoys mixing and matching patterns, which she refers to as “happy clashing.” The designer explains that there are no rules, but that she prefers to mix and match florals and stripes with abstract patterns and vintage and ethnic fabrics, similar to an art collection that includes sculpture, photograph, painting, and sketch.

‘I like having a floral with a stripe and then maybe an abstract pattern and something more vintage and ethnic,’ she says.

2. Give patterns space to breathe

The photograph is courtesy of Studio Ashby/Andrew Martin Interior Designer Review Vol.24. According to Sophie Ashby, this is essential. In the case of a flowery headboard, I’d probably go with basic cushions on the bed, or if I was doing a plain sofa, I’d go all out with a variety of different sorts of cushions on the couch. You can really appreciate the fabric when you are practicing constraint and not having everything patterned, which is what this is about.’ Often, if we’re going to utilize a pattern on a piece of upholstery, I’ll bind it with a simple trim to keep it from seeming too busy.

3. Start your scheme with a rug

(Photo courtesy of Penny Morrison.) ‘When people ask me what should be the first thing you should do when decorating a space, I always suggest a rug. Due to the difficulty in finding matching rugs, Penny suggests starting with bedroom or living room rug ideas and working from there. “You’ll have your match before you ever start,” she says of the process. Incorporating an eye-catching rug into an otherwise plain room may completely transform it. Nothing brings a space together quite like a well-placed rug.

My favorite technique to make a statement with a rug – and this may vary depending on the size of the space – is to make it as large as possible and stretch it to around two feet from the walls.

if you have a large room with two seating sections, you should consider allowing each to have its own rug, with the base floor showing through because this region will be walked on frequently.

Cotton carpets should be avoided because they lack rich depth and also tend to become soiled more rapidly than other materials. Make use of wools and sisals instead.’

4. Create balance with pattern

(Photo courtesy of Penny Morrison.) As designing a space, Penny advises that you strike a balance between the colors and patterns that catch your eye when you walk in. When it comes to one or two windows, pattern is fantastic. However, if you have a room with a row of three large windows, covering them with pattern would overshadow one side of the area. In such instance, I would choose to utilize the design in a different setting, such as on a sofa, chair, or bed. A lot of people are afraid to combine various things in fear they don’t work out, but if you have the guts to put together what you enjoy and what your eye is comfortable with, it will work for everyone else, too.

I like basic textiles on large swaths of furniture, such as couches, since else they may be excessively busy and full of detail.’

5. Start with the showstopper fabric

Tiger Blue is the color of the tiger. The image is courtesy of Charlotte Gaisford. According to Charlotte, she always chooses her primary fabric first (which is generally for her curtains or her headboard). This is the major focal point of the space,’ says the author. I am frequently sought for assistance in selecting textiles for rooms that have already been painted. This is a major no-no in my opinion since it instantly limits the fabric options available to you. ‘It is far more difficult to discover a fabric that complements your personality than it is to find a paint color that complements a fabric, since there are so many paint colors available.’

6. Find other fabrics to mix with your showstopper fabric

The image is courtesy of Charlotte Gaisford. Following the discovery of your show-stopping fabric, you may look for other textiles that will work well with it. As Charlotte points out, “It always surprises me how individuals narrow their choices down to just one fabric for a space by just searching for a curtain fabric.” The other soft furnishings in the room that require fabric, such as cushions, upholstery, window seats, a headboard, valances, and so on, should be taken into consideration as well.

7. Keep the color palette simple

Amazing Mandarins DP The image is courtesy of Charlotte Gaisford. In Charlotte’s opinion, “I try to keep my color pallet minimal and only use two or three colors within a scheme,” she explains. ‘You could like a strong, vivid color but be concerned that it would be “too much” on the walls; nevertheless, this is not always the case. However, although the arsenic paint is used throughout the room, it is not the dominant hue. ‘The bookcases take up a significant amount of space, and there are also gaps between them created by the windows, which provide a sense of balance and prevent an overwhelming amount of the bright color from overwhelming the room,’ says Penny.

For example, a brightly colored linen sofa looks fantastic with patterned cushions, and a basic room may be made more interesting by adding a patterned ottoman.

In order to create some contrast, I always start with a base of neutrals like as cream, black, or brown, and then I experiment with other tones from there.

You may use the color wheel to help you balance a color scheme if you need assistance. Interior designers utilize it to achieve perfect harmony when designing spaces.

8. Take pattern scale into account

The image is courtesy of Charlotte Gaisford. In addition to design, size should be considered while selecting a pattern. When it comes to putting a concept together, scale is critical; the key is to use a variety of scales ranging from enormous to little. In addition to considering the size concept, you should consider what style of pattern you want to utilize.

9. Narrow down your pattern choices

Ottoman in the color of dreams pink The image is courtesy of Charlotte Gaisford. The following is an easy-to-remember method of selecting patterns, which always works and assures that there is interest and contrast:

  • ‘ Use only one big scale (showstopper) fabric’
  • ‘Choose medium or small-scale designs for all-over complimentary patterns’
  • ‘Use only one large scale (showstopper) fabric’
  • ‘Use only one medium or small-scale design for all-over complementary patterns’
  • Look for a design that reminds you of stripes, but it isn’t necessarily a genuine stripe
  • Look for a pattern that reminds you of spots, but it isn’t exactly a spot
  • And so on. The guideline is that you can have as many lower scaled textiles as you like, but you must utilize one large scale showstopper in the space’

To help you identify comparable fabrics: ‘Like many other designers, I like to develop patterns within a collection to be used together, so if you explore inside a collection you can typically find your matching fabrics.’

10. Layer and mix patterns slowly

Decorative trim from Troynorth, Ottoman red lampshade, and Georgie Girl blue cushion The image is courtesy of Charlotte Gaisford. Room planning and decorating should be exciting and pleasurable experiences! Slowly incorporate the many parts into the overall design while enjoying the process of shopping for them. Make the space a unique and memorable experience in and of itself. When individuals try to match things that are outside of the room, it makes me nervous. ‘To me, each room in my house is an experience; when you go through the door, you are astonished and hopefully thrilled.’ To be daring and adventurous, follow the rules, perhaps varying them every now and then, then, after you have gained confidence, mix your patterns and go for it!’

11. Add interest with patterned vintage fabrics

(Photo courtesy of Penny Morrison.) I enjoy working with vintage fabrics, both as a direct source of inspiration and as a source of direct inspiration; for example, Indian saris, Khadi cloth, West African textiles, and Anglo-Indian chintzes. In particular, the African patterns are very appealing since, while they may be centuries old, they are actually rather current in their design. When working with antique textiles, it’s important to remember that they are frequently rather delicate — you may construct pillows out of them, only to find that they have broken apart three months later.

Make use of the fabric as a tabletop to display tiny pieces of cloth without destroying them.

The antique may be be mounted on a board and turned into a headboard, which is another option for the bigger pieces.

Take a look at the beautiful designs found within the covers of antique books, as well as vintage Turkish and Indian tiles. Create digital images of these and you can easily send them to a digital printing firm to be turned into wallpaper or fabric.

12. Mix opposites for impact – and balance

‘Make an effort to combine opposites,’ suggests Sophie Ashby. The rule of thumb is that if you’re going to have a really large scale flower, you shouldn’t utilize another extremely large size floral. Instead, opt for a small-scale floral or, even better, a small-scale geometric pattern.’

Using pattern in a living room

Featured from left to right are a footstool in Red Beach Red, a cushion in Betty Green, a huge lamp shade in Pooky, miniature lampshades in Pretty Ayre Rose Solid, and curtains in Charlotte Gaisford. Lulu Light Pink, rug, Rosie Open Red, Lulu Green, little chair in Eggs and Bacon D and Where’s Cocky DP, chair (foreground): Lulu Light Pink, Rosie Open Red Charlotte already has a rug in her room. Edward Bulmer is the artist who created the painting. Wallpaper: Rosie Grey wallpaper in the color invisible green The image is courtesy of Charlotte Gaisford.

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Keep cohesiveness in mind while utilizing a variety of pattern types.

‘All of the pattern here is in two colors that are similar to one another, which ties this scheme together and ensures that, despite the fact that the patterns are various scales, they do not conflict with one another.’ You can see that I used the show-stopping Rosie Open Red fabric for the curtains, and that I used Betty Red (which reads as a medium scale/stripe), Lulu Pink (which reads as a spot), and Poppy Dark Pink (which reads as a proper striped cushion) for the cushions.

Curtains in Charlotte Gaisford are seen from left to right.

“I had to preserve the sofa, so I designed the color palette around it.” This scheme is completed with the use of Edward Bulmer Invisible Green paint.

Using pattern in a bedroom

Charlotte Gaisford’s Pink Twin Guest Room: Charlotte Gaisford’s Pink Twin Guest Room: Charlotte Gaisford Wallpaper with pink vases and a headboard designed by Charlotte Gaisford Cushions in Charlotte Gaisford fabric with Paxos Pink fabric. Stunning in Ayre Burnt Raspberry (the front cushion is an old John Lewis buy), a vivid blanket (Heals), pillowcases (Sophie Conran), and a lampshade (also by Sophie Conran) (Pooky) The image is courtesy of Charlotte Gaisford. Charlotte Gaisford recommends the following for bedroom designs that use a variety of patterns: “My newly designed pink spare bedroom has a basic, powerful color palette with a striking pattern, which I recently completed.” Charlotte explains, “I chose Pink Vases wallpaper as a show-stopping design on the walls and then utilized Paxos Pink fabric on the headboards, which could be considered my stripe.” My place is represented by the pillows, which were made by Pretty Ayre in the color Burnt Raspberry.

The small cushion in the front is a cushion that I purchased many years ago that has a stripe on it, albeit a horizontal one.

With the vibrant color and design, the white bed linen offers a serene contrast.

With a vibrant blanket, I introduced some block color into the room while keeping everything else neutral.’ Using and combining scales is an excellent method of putting together a room.

It is essential to avoid mixing huge sizes together because this will result in the fabric designs clashing with one another and maybe causing design issues in the process. It will all come together if you utilize tiny, medium, and big scales, as well as spots and stripes.’

Using pattern in a hallway

Wallpaper and curtains in the Charlotte Gaisford Ottoman Blue design are also available. Ginoo Dream Blue, chair in Charlotte Gaisford Georgie Girl 2 Pinky, cushion in Charlotte Gaisford Sharanshar Storm (paint: Edward Bulmer French Blue), (decor: Charlotte Gaisford Georgie Girl 2 Pinky, pillow in Charlotte Gaisford Sharanshar Storm) The image is courtesy of Charlotte Gaisford. ‘I prefer to keep the colors in my own home basic so that I can add more as I see fit and vary the appearance over time,’ says the designer.

The goal for me was to create it a more fascinating environment.’ I arranged for paneling to be installed around the room, and then Ottoman Blue wallpaper was installed above the paneling to complete the look.

‘ Even though I didn’t think I needed to add any more colors, a pink chair was a nice addition to offer a little more interest and a tiny bit of contrasting color and warmth, so I did (any more would have detracted from the main space).

The image is courtesy of Charlotte Gaisford.

In this room scheme, the large-scale spot (and perhaps, unusually, the less dominant pattern) is created by a stripe effect on the wallpaper, and a small-scale spot (and perhaps, unusually, the less dominant pattern) on the curtains (Ginoo dream blue).’The medium-scale spot (Georgie Girl 2 Pinky) is created by the fabric on the chair (Georgie Girl 2 Pinky) and the cushion (Georgie Girl 2 Pinky) (Sharanshar Storm).

The artist explains that by employing a limited color palette, she was able to blend pattern scales and create pattern in a less traditional way.

(which seemed a long way off back then).

As a result, I worked as an associate editor for Ideal Homemagazine, then developed 4Homesmagazine for Channel 4, then the Channel 44Homeswebsite before returning to freelancing and operating a social media firm (you can tell where I had children from the freelance gaps!).

I am grateful for the opportunity. My responsibilities as editor-in-chief of HomesGardens have now been transferred to our American managing editor, while I embark on a new challenge as editor-in-chief of HomesGardens

How to Successfully Mix Patterns in Your Interiors, According to Designer Liz Caan

Liz Caani, a Boston-based designer, is well-known for bringing ancient homes in New England and beyond to life with a colorful and appealing new life. The way she mixes patterns embodies both a maximalist attitude and a classic design playbook, and she has a good eye for doing so is something to admire. “I personally enjoy a lot of visual stimulation, and I have a lot of items,” Caan explains of his collection. “I’m continuously gathering things and experimenting with them. I am cognizant of how much of this pattern play occurs spontaneously, and I am conscious of how much of it occurs when I contribute to the mix.

Start with a Color Strategy

Throughout New England and beyond, designer Liz Caani has been credited with breathing new life into old homes by bringing them to life with color and warmth. The way she mixes patterns embodies both a maximalist ethos and a classic design playbook, and she has a good eye for doing so is something to watch. According to Caan, “I personally like a great deal of visual stimulation, and I have a large collection of items.” “In my spare time, I like to gather and experiment with different things.

To put it another way, it’s a strategy that requires you to go all-in or it will fail.” The following is her greatest advise for raising your pattern play game while still being loyal to your unique design sense and ensuring that your house doesn’t seem overly haphazard.

Consider the Purpose of Your Space

Depending on the sort of space you’re creating, according to Eric RothCaan, your approach to pattern play in a room will be different. Is it a casual room where people may relax? As a result, the designer would typically favor light-weight materials and informal textiles such as linens and hand-blocked cottons over heavy fabrics and formal fabrics. According to her, if you’re planning a formal dining room or sitting area, you should reserve your silks, velvets, and other expensive patterns for these sorts of spaces.

The traditional design may be updated with vibrant colors and a greater scale, and it can be performed on a casual linen or a luxurious silk.” It will be much simpler to choose which patterns and textiles to use if you consider how different patterns and fabrics can help a space seem more comfortable or even grander when you consider their effects.

Don’t Overthink Your Art

Eric Roth is a writer and musician from New York City. Whatever type of art you collect, whether it’s peaceful watercolors or striking modern works, Caan believes your art will always find a home in a room with a lot of pattern. She urges collectors to follow their hearts and acquire what they are passionate about, knowing that the artwork will eventually find a home. According to her, “don’t shove the most costly piece you own into the middle of a room where it doesn’t actually look that fantastic.” The artist enjoys playing with the art by stacking it over patterns, and so does the designer.

Her house in Newton, Massachusetts, has just been restored, and Caan opted to paint the halls and stairwells black in order for her broad collection of bright paintings to appear streamlined and well-organized against the dark walls.

Pattern is for Everyone!

Eric Roth is a writer and musician from New York City. There is potential for everyone to incorporate pattern and color to their spaces, whether their walls are draped in vibrant textiles or painted a crisp white. The goal is to create a more layered and intriguing environment. However, you do not have to think large in order to make a significant difference. “If you are apprehensive about patterns or taking risks, I would advise starting with some pillows and a rug,” Caan suggests. Select a rug with a variety of colors in it, then pick out the least dominating hue in that rug and select a large-scale print you adore that seems like it belongs at the same party,” says the designer.

Afterwards, the designer suggests picking a second color from the rug that you like and finding a smaller pattern that contains the color that you can use to cover two other cushions.

Finally, Caan says that finding one more cushion that you adore but that has nothing to do with anything else in the room and chucking it into the mix is the frosting on the cake.

Some of her favorite labels are from smaller companies with limited selections, which she appreciates.

Not All Rules Are Meant to Be Broken

While the beauty of pattern play is that it allows you to toss out-of-date decorating norms and instead embrace your own unique tastes while refining your eye for balance and cohesion, the downside is that it may be time-consuming. Caan, on the other hand, has a set of guidelines to follow along the route. “Make certain that you stack designs of varying scales together,” she advises. “Pay close attention to color and make certain that the patterns work together and in contrast to one another.” She believes that an organic and a structured pattern complement each other, and she does not recommend combining different flowers in the same colors and size next to each other.

Lauren Wicks is a young woman who lives in the United Kingdom.

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Creative Ways to Mix and Match Patterns in a Living Room

Michael J. Lee is an American businessman and author. While dabbling in a pattern or two is entertaining, plunging in headfirst is much more so. When carefully chosen and combined by experienced designers, clashing patterns push the boundaries of traditional design and result in a fresh, unique look for the home. Throughout the next slides, designers at Dering Hall experiment with an array of patterns to create elegant, statement-making environments in a variety of styles ranging from minimalist to maximalist, and everything in between.

  1. Lee1of 30 Michael J.
  2. A pictorial accent wall, black-and-white geometric drapes, and vibrant throw cushions are just a few of the patterns that KMID |
  3. Drew Kelly2of 30Shutter Avenue Photography3of 30Drew Kelly2of 30Shutter Avenue Photography Extend your reach into the bohemian world.
  4. MAS Design Rachael Renee’s Photography is number 4 of 30.
  5. The design, by Timothy Whealon Inc., features hints of pink and gentle colours to create a patterned setting that is surprisingly subtle in its elegance.
  6. Simon Upton is a British actor.
  7. 8 out of 30 Purple is the color of royalty.

Michael J.

Werner Straube10 of 30 Werner Straube10 of 30 Werner Straube10 of 30 Anthony Cochran11th of thirty Keep things as simple as possible.

The Photography of Susan Gilmore 12 out of 30 David Appel (no.

BOWERBIRD’s sophisticated organic style is spiced up with striped accents.

14 out of 30 Consider the implications of your actions.

Kim Sargent is a model and actress who lives in Los Angeles.

Tim Street Porter is number 16 out of thirty.

has created a classy room with matching patterned couches that are full of excitement.

17th out of 30 On the Brutalist Side Catlin Design highlights the ability of zebra print to create visual interest in a space in this living room.

18 out of 30 Michael Robinson is an American actor and director.

Bring out the Red Carpet The use of reds in this patterned room by Eberlein Design is remarkable.

Marili Forastieri is a 22-year-old woman from 30.

Adam Friedberg is a writer and editor based in New York City.

Creative patterns are kept under control in this area by using complementary tones of blue, according to Laura Krey Design.

Lee is 24th out of 30.

25of 30Adjust the tempo with purple Playful purples elevate a sleek gray living space designed by Liz CaanCo.

Chipper Hatter is a member of the 30th generation of Chipper Hatters.

Darren Chung is an American actor and director who was born in Hong Kong.

McCarthy, Inc., a New York-based millwork company, was able to incorporate the design of the millwork into this opulent living space for a client on Long Island.

28th out of 30 Marco Ricca is the 29th member of the 30th class.

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Brittany Cost |

This material was generated and maintained by a third party and imported onto this website in order to assist users in providing their email addresses for further consideration. You may be able to discover further information on this and other related items at the website piano.io.

How to Mix Patterns Like a Pro

Making an unexpected pattern part of your room may breathe fresh life into it and give it individuality in ways that a plain hue can’t. But why limit yourself to only one type of pattern to experiment with? Even though combining two or more items may seem difficult at first, by following some of these formulae, you’ll be mixing and matching like a pro in no time. Identifying four basic kinds of patterns can help you better comprehend how distinct patterns are related to one another in the first place.

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1.

When it comes to patterns, stripes, especially when they are two colors and one-to-one in ratio, are perhaps the easiest to deal with, so much so that you may consider them to be a “neutral.” In other words, they may be mixed and matched with practically any other design without seeming to be a pattern at all.

  • When applied in a tone-on-tone manner, such as this bedroom wallpaper, the color is really softer and less striking than when utilized as a solid color would suggest.
  • Look for an interior designer to assist you in discovering your personal style.
  • The rounded lines provide an added sense of softness to a place, which can feel a little feminine or romantic at times, and help to make it feel more welcome.
  • Foolproof Plan 1: Dots and stripes are the order of the day.
  • Geometry is the second subject.
  • Although stripes are technically a geometric pattern, a genuine geometric pattern in interior design is one level more intricate than that, as demonstrated by this wallpaper.
  • This room features a striped rug, a chevron cushion, and two side chairs with vibrant patterns: All are geometric in nature, employing simple angular lines, although the level of sophistication varies significantly.

Plan 2 (Foolproof): Geometrics on the Same Scale Another simple method for combining various geometric patterns is to select designs that have a comparable thickness to the lines themselves.

Despite the fact that a single cushion with a chunky design may appear out of place, because they all have the same line weight, they appear to be coordinated.

Florals are essentially the polar opposite of stripes in that they are: They are made up of intricate, bending lines that are arranged in designs that are both natural and wild.

Plan 3 is foolproof because it combines sharp angles with vibrant florals.

A neutral geometric pattern with triangles (or basic stripes) can be combined with a splash of color flower with smooth curves to play against the harsh edges of the geometric pattern.

Organics are a type of food.

Animal patterns, as well as natural textures like as marbling and strié, are included in this genre of clothing (which looks a bit like wood grain, but in fabric or paper).

Since there are numerous patterns that may exist in a gray region between geometric and organic, such asikat patterns or tribal-inspired prints, which have repeating lines that are somewhat geometric in appearance but have an organic rawness to them, things can become a little difficult.

Other Points to Consider Color.

The use of a range of different textiles, all in blue and white, is common in nautical themes to allow the diverse lines and forms to offer visual interest.

Here, you can see that each fabric borrows colors from the ottoman upholstery, resulting in a collection that is both diverse and harmonious at the same time.

These diverse pillows do not follow a clear color scheme or pattern, but they are all set against a soft white background, which helps them seem like they are part of a group.

As far as classics go, this is as good as they get: Even though the sizes and styles of the patterns are different, mixing numerous patterns in strict black and white almost always results in a pleasing result.

Scale The size of a pattern may be just as essential as the style of the design.

The combination of scales of patterns can be difficult, but it is not impossible if you follow one of two approaches: go all different or all the same.

One stripe, one chevron, and one additional organic design are used in this area, all on the same scale as the other patterns.

Naturally, it also helps that these various textiles are all in a color scheme that is very similar to one another.

Methods for Using a Large Number of Patterns Rugs that are considered to be traditional.

Because of their delicate, detailed motifs and rich, sophisticated hues, they are simple to combine with other patterns that are either more subtle, more strong, or a combination of the two styles.

Other delicate, timeless patterns like as toile and fine china prints may be readily thrown into a space and contrasted against other classic components or much more contemporary designs in the same way that a traditional rug can.

The conventional umbrella stand and rug have a much more subtle appearance, fitting in well while still standing out on their own.

Here’s a fashionable style that’s simple to recreate at home.

Chevron.

Because of the many diagonal lines in this simple design, it has a genuine feeling of dynamic energy that makes it easy to mix and match with virtually everything.

Five-Point Strategy: The All-Powerful Trio Here’s a recipe that is sure to please: Combine a chevron or plain stripe with a smaller geometric and a bright flower to create a simple yet striking aesthetic that is easy to execute.

For combining two or more large patterns with a little accent, this is an excellent ratio to use.

Then pick a second, complementing pattern that will account for 30% of the overall design, such as these striped curtains.

It is not necessary to be perfect with the arithmetic, but if you can clearly see a hierarchy of dominant and non-dominant patterns, the whole set may be bold while still remaining logical.

In the delicate rug, there is a second design to be found.

The primary pattern should be less vivid the greater the amount of it you want to employ.

If you don’t want to choose a dominant pattern, you may go the other way and make all of the patterns equally minor accents instead.

By applying only a little dash of each design, you can ensure that no single pattern jumps out as being particularly prominent.

This strategy is quite simple since you may add and remove accessories as you see fit over time with little commitment. Remember to incorporate a few solids and patterns from a variety of unique categories.

How to Mix Patterns

When you include pattern into an interior design concept, you can create dynamic rooms that are full of energy and textural intrigue that your guests will notice as soon as they walk into your room. Many of our readers tell us that combining designs is an interior style that they aim to accomplish, but that they are unsure of where to begin. Designers such as Kit Kemp have demonstrated exactly how successful mixing styles can be. There is a lot to consider when it comes to colors, scales, and patterns, as well as cushions, curtains, and upholstery, and we realize that it might be a bit intimidating at first glance.

Continue reading and allow us to assist you in overcoming your pattern-mixing anxiety.

Consider Your Palette

Visitors will be amazed when they walk into your room because of the way you’ve used pattern to create a dynamic area loaded with energy and textural intrigue. Many of our readers tell us that combining designs is an interior style that they wish to attain but are unsure of where to begin. Designers such as Kit Kemp have demonstrated just how effective mixing styles can be. There is a lot to consider when it comes to colors, scales, and patterns, as well as pillows, curtains, and upholstery, and we realize that it might seem a bit daunting at times.

Let us assist you in overcoming your fear of pattern mixing by continuing reading.

Take Stock of Your Patterns

Spend some time putting together a collection of all the patterns you would want to see in your space, as well as the ones that are currently in place. Adding patterns to your home may be as simple as adding floorboards, exposed brickwork, fireplace details, and wood grain. Unless you’re planning on starting from scratch, it’s important to keep existing patterns in mind while introducing new ones.

Edit, Edit, Edit

After that, you may start working on the editing process. Organize your fabrics by placing samples next to one other and moving them about the room to experiment with which designs you want in the front and which you want in the background. It’s possible that you won’t realize two designs work together until they’re placed next to one other, so it’s crucial to take the time to experiment and see what works. It may be necessary to step away from your plan and return to it since it may take some time to become accustomed to seeing two bold patterns together.

Put Your Favourite Colour Centre Stage

One approach to ensure that you will be pleased with your pattern matching is to include your favorite color in the center of your design scheme.

A design that seems harmonious and well-put together will be achieved by altering the strength of the shade throughout your goods and employing essential components such as pillows and drapes to guide the selection of colors that will compliment your selected tone.

Combine Small, Medium and Large

Using a variety of patterns in different scales can aid in the creation of equilibrium throughout your space. A good rule of thumb is to concentrate on a single large-scale design so that the room’s focal point is clearly defined. After that, incorporate smaller patterns into the room by placing cushions and rugs in areas of open space to fill in the blanks. Breaking up your patterns with neutral variants or blocks of color can also help to give your eyes a breather.

Make Sure the Pattern Works for The Surface

Believe it or not, patterns next to each other can sometimes appear flat, so try experimenting with different combinations! Using a variety of fabrics, designs, and embroideries, you may create a unique look by using a shaggy rug, textured lampshade, or unusual trimmings. Make certain that the pattern is appropriate for the surface on which it will be applied. A huge size print may appear weird on a little cushion, but a small scale pattern may appear washed out on a giant rug or a magnificent pair of drapes, for example.

This will provide you with a better understanding of how the patterns and scales will appear as you move about the space.

Keep the Rest of The Room Simple

Plain painted walls may be used to elevate a room if you’re concerned about it getting too cluttered or want to maintain things feeling light and airy in the space. Combine a small number of patterns across the space, repeating specific motifs on various components more than once. However, although this repetition will still impart the dynamic impression of patterning to an interior, it will also serve to produce an overall feeling of organization that will prevent the space from becoming overwhelmed.

Combine Themes

Theme selection will provide you a framework to operate inside by allowing you to keep the theme in mind while you add patterns. As your confidence grows, you may want to experiment with different themes to add interest to your room and create something truly distinctive. Florals and stripes, as well as seaside motifs and busy jungle designs, look great together. Geometrics tend to go well with everything and may be used into your decor in a variety of ways to bring diverse shapes and scales throughout your space.

Patterns Don’t Always Equal Busyness

The addition of pattern does not imply that your room will be bright and overpowering as a result. By using more subdued color palettes and soft lighting in your space, you may tone down patterns and create a more warm and comfortable environment for your guests.

Be Brave

The temptation to stick with the tried-and-true might be strong, but if you truly want to embrace the aesthetic, use color and patterns to attract attention to elements that are frequently disregarded, such as headboards, lighting fixtures, and bedspreads. Making patterns work together is a journey of discovery that will grow over time, and taking chances is an important part of the process.

It is essential to have an open mind to new ideas and to be bold enough to try with non-obvious possibilities while searching for the patterns that will work to get the aesthetic you seek.

You Might Also Enjoy Watching.

With the help of Emma, the director of F P Interiors, you will develop a modern living room plan centered on the gorgeous Magnolia Fabric by GPJ Baker. Full of color and pattern, watch and learn how to combine pattern, texture, and color to create a space that is full of brightness and happiness in this instructional video.

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